Moonfall

Roland Emmerich’s newest blockbuster did not disappoint. The master of destruction once again delivers chaos on a planetary scale, using all the advancements in technology at his disposal and a couple of old tricks. The plot was basic and the characters cookie-cutter but they’re never the real stand out in an Emmerich flick. Although, for the record, the performances are a lot of fun, particularly Jon Bradley as KC Houseman. The plot goes straight up of the rails in a way that’s difficult not to smile at. Full review HERE.

Turning Red

PIXAR’s latest isn’t perfect. The third act, whilst great, does feel a little tonally different from the first two acts but there’s still plenty to love. The music perfectly captures the boybands of the early 2000’s, while the characters are a shining example of how “cringey” young teens can be and there’s a really solid family dynamic at play. The animation is similar to what the company has been doing recently, with the likes of Luca, but with a definite anime inspiration. When it leans into that and allows the animation to be quick, it makes for a unique feel. Full review HERE.

Sonic the Hedgehog 2

The first Sonic movie very much felt like a product of it’s time and this one is no exception. That doesn’t mean it’s bad, it’s actually fairly enjoyable, but it’s clear from the humour, pacing and effects that this is a 2020’s film. Trying to have an overarching plot like the return of Robotnik (whose scenes are the highlight) with smaller plots like family drama and Sonic making friends with Tails doesn’t always work. The film feels like it could be shorter. However there’s no doubt that the people working on this film love the Sonic franchise because you could spend all day sifting through references. Fun for kids and bearable for adults.

John Wick: Chapter 4

Delayed until next year

Jurassic World Dominion

The Jurassic World characters have nevre been as likable as the Jurassic Park characters and the film studio behind this franchise must know that because they brought back the original characters. However, the focus remains on the World characters and the Park characters never really add much. There’s also a severe lack of dinosaur and an over-reliance on nostalgia-baiting the audience.

Lightyear

Another installment from PIXAR that wasn’t perfect but is still a good time. It’s a solid send-up to the genre of sci-fi and the concept of space as well as having some stunning visuals. It takes full use of it’s setting in the most gorgeous way but never totally hinges on it’s characters. There are also plenty of references to the Buzz Lightyear from Toy Story, right down to repeating lines but it never distracts from the moment. It’s not complex but it never needed to be, it simply needed to be.

Black Adam

There are superhero films that are bad in a cheesy way but this is not one of them. It’s built on concepts and moments that have been done better in other superhero films and the main character isn’t likable enough to be endearing. As an anti-hero, there needs to be something to make the audience root for them, even if they disagree with their tactics, but that’s just missing here. Throw in an utterly wasted Justice Society of America (who deserve their own film) and a post-credits cameo teasing a battle we may not see and it’s just not worth all the effort The Rock put into it.

Mission Impossible 7

Delayed until next year

Spider-Man: Across the Spiderverse (Part One)

Delayed until next year

Matilda: The Musical

THIS is how you adapt a Broadway musical to film. The choreography, the camerawork, the colours. It all just works. It’s also unique enough to stand out from the original book and other film adaptation, as well as making a few alterations from the Broadway show. Some of the songs were cut because there wasn’t enough time for the Wormwood household, which is a shame because they’re great. Blasted necessarily short runtime.