Superbowl Film Trailers 2023

Guardians of the Galaxy Vol 3

The final tale for these specific Guardians has a real “end of the road vibe” which, after a decade, is well earned. Set to a slightly mellower version of Rainbow’s Since You Been Gone, this trailer shows some more of the story featuring a large focus on Rocket and his backstory. It also gives a better look at the long awaited Adam Warlock and The High Evolutionary (whose lack of presence here hopefully doesn’t carry across to the film itself). The MCU has been recieving mixed reactions of late but, with James Gunn at the helm and the end of an era on the horizon, this one looks sure to tug at the heartstrings.

The Flash

It’s difficult to find a way to talk about this without discussing the moral ambiguity of getting excited for a film whose lead is a criminal, allegedly currently seeking pyschological help. However, that’s what’s happening because frankly it’s a massive subject acknowledged much better by people who aren’t me. That aside, this trailer primarily focuses on the cameos contained with in the Flashpoint-based plot. Micheal Keaton and Ben Affleck are back as Batman, Michael Shannon returns as General Zod, and Sasha Calle makes her debut as Supergirl (which is hopefully a role she gets to keep under the newly formed DC Films). Much like Spider-Man: Far From Home‘s trailers, it feels very much like it’s pandering to the fans but hopefully like Far From Home, that proves not to be the case.

Indiana Jones and the Dial of Destiny

This short trailer provides a look at some of the faces we can expect to see, the general action-adventure vibe of the plot, and another look at some of the de-aging that will feature throughout the film (notably Harrison Ford and Mads Mikkelsen). Set to the iconic theme by composer John Williams (who has returned to provide some new music for this installment) it has an air of excitement but perhaps the most interesting thing to see will be how well the de-aging effects hold up on a large screen. Also a big fan of watching Indiana punching Nazis, which there’s sure to be a decent amount of.

Dungeons and Dragons: Honour Among Theives

Another short trailer that aims to get across the tone of the film, in this case a slightly campy adventure romp. It features a look at the primary theives as well as some of the creatures and the world that they exist in, with some fairly decent CGI. Looks set to be a lot of fun but, given the legacy of D&D, it’s likely that it won’t please everyone.

Transfromers: Rise of the Beasts

Another short one which focuses on the character Mirage who is able to emit solid hologram projections of himself, which is a really underrated ability. There are also some action shots, featuring one of Optimus Prime and another of Optimus Primal who is a Tranformer that looks like a monkey. Sometimes it’s the simple things in life that are the most exciting and this dumb little film might be one of them. If it’s more Bumblebee that Dark Side of the Moon, it should be a blast.

Creed III

Essentially 40 seconds of training shots interspersed with a couple of shots of family and a voiceover that provides essential plot details. The film will see Adonis Creed (portrayed by Michael B Jordan) facing off against his childhood friend Damien Anderson (portrayed by Jonathan Majors) which will likely be exciting to fans of the franchise. However, for those who haven’t seen the other 8 Rocky films, there doesn’t seem to be much enticment other than the main actors.

Scream VI

There’s tension abound in this trailer which features our heroes attempting to escape a new, Ghotface-history-obsessed Ghostface. Intense cuts between characters, flickering footage and a brief glimpse of Courtney Cox as Gale Weathers really set the tone for a franchise that has provided some pretty solid satire thus far. It’s also the closest to being released (March 10th) so it makes sense that this trailer would have an air of intensity.


Seemingly appearing out of nowhere, this film is a comedic dramatisation of Nike and their iconic relationship with basketball player Michael Jordan. Starring lifelong friends Matt Damon and Ben Affleck, with the latter of the duo directing, it seems like it could be a lot of fun and may shine a light on something that non-basketball fans might not be aware of.


Featuring some very quick shots that don’t give away much of the plot this trailer focuses primarily on the setting and actor Adam Driver, ending with a shot of him facing down a T-Rex. Honestly, there might not be that much to give away because the plot seems to be Sci-Fi adventure where Adam Driver fights dinosaurs. If you’re not sold on that concept, this one might not be for you, but if you are then this is sure to be a riot.

The Super Mario Bros. Movie

This fake trailer fro the Super Mario Bros. Plumbing Company is one of the neatest marketing ideas in a while. It’s a classic 90’s feeling ad complete with a rap to the Mario Bros theme tune and a deliberately not-great line read from the poor woman whose house has flooded. As if that wasn’t good enough, the website and phone number shown at the end of the ad actually exist. Visiting the first and clicking around will herald it’s own easter eggs but calling the number will provide a voice message from Luigi (voiced by Charlie Day). This shows promise.

Are Trailers Getting Worse?

In 1964, Bob Dylan released his album The Times They Are A-Changing and unknowingly added a brand new phrase to the public lexicon. Of course the statement itself is true, but I think that it is sometimes taken for granted, and taken to mean that times have changed over the past hundred years or so. The fact is that we see changes happen over the course of a single lifetime, and even in as few as 20 years, especially within the film industry. More specifically, I think it’s best seen in film trailers. The real “moment” of realisation for me was when I watched the trailer for 2020’s Dune (or Dune20). It is worth noting that as of initially writing this, I knew nothing about the story of Dune, first told in the 1965 novel by Frank Herbert, but that I knew I should be excited. Dune is, after all, one of the most prolific pieces of science fiction ever written, and has essentially been the basis for this entire genre that I hold so dear. So imagine my surprise when upon watching the trailer for Dune20 I felt this rare sense of ambivalence. This prompted me to do what I think anybody in my position would do- watch the trailer for the 1984 adaptation starring Kyle MacLachlan (henceforth known as Dune84).

Remember that I have no knowledge of the source material at this point, and that I have been underwhelmed by the Dune20 trailer, and then imagine my surprise when the trailer for Dune84 had me hyped. I enjoyed this trailer so much that I watched the film itself that afternoon, and though flawed in parts, ended up thoroughly enjoying it. So what is it about the 1984 trailer that excited me in a way that the 2020 trailer did not?

The first noticeable aspect is that the new trailer is almost half a minute longer than its predecessor, clocking in at 3 minutes and 15 seconds. This is not a massive time difference, but the 1984 trailer was longer than most other trailers of the time. For comparison, the trailers for Ghostbusters and Gremlins were 2 minutes long while the trailer for Raiders of the Lost Ark was a staggering 2 and a half minutes. Newer blockbusters like No Time To Die and Tenet come closer to the 3 minute mark, if not creeping over it. It seems like new trailers either have more footage in them, or longer snippets of footage, and I think that the former is more likely. This footage seems to hold a different purpose as well; older trailers aimed to get across the general tone and plot of the film with a focus on the interactions between characters, whereas new trailers are very Visual Effects heavy. It feels like they are more interested in proving themselves as worthy of your time, and in the case of Comic Book Movies, proving that they have That Particular Thing from the source material that you like. If you’d like my thoughts on that ridiculous notion, I have a piece on it HERE. The standout example of this attempt to be worthy in the Dune20 is the appearance of the giant sandworm, which is of course, accompanied by the Inception BWONG. It simply screams “look, we have the thing and doesn’t it look amazing” and, for the record, it does. But it’s simply not the big deal it’s made out to be. There is this hype to new trailers that simply was not present in older trailers. The slow building music to a crescendo, and the dramatic element of the plot being played up, are a stark contrast to the relatively relaxed trailer of Batman ’89 or Empire Strikes Back. I do understand this shift, and I think a large part of it is that the production that goes on behind the scenes is more heavily reported. You don’t need a trailer to give you the plot or tone anymore because you know all that, you just want to see the one thing you haven’t so far- footage.

The most relaxing aspect of these old trailers was, in my opinion, the voice-over, which has sadly been all but abandoned. Initially, it was everywhere, providing plot details and cast names over the footage which helped keep the runtime of trailers to a minimum. However through the late 1990’s and early 2000’s it was relegated to romantic comedies and children’s films, before being phased out almost entirely. Instead, studios have opted to insert written text into their trailers such as “Coming This Christmas” and “Starring These Actors”. This led to an odd period of overlap in the early 200’s where these pieces of text would appear on screen as well as being read in the voice-over, which was bizarre and wonderful and could only have occurred in the early 2000’s. I think the true death of trailer voice-overs came in 2008, with the passing of Don LaFontaine who had provided vocals for over 5,000 trailers in his nearly 50 year career. LaFontaine was THE voice-over guy, and it garnered him nicknames like The Voice of God, a testament to how heavy his impact was on the film industry. Hollywood never attempted to replace him, and if you wanted trailers with voice-over these days, you are relegated to the YouTube channel Screen Junkies and their series Honest Trailers. They feature the voice of Jon Bailey who is a professional voice-actor and the trailers are wonderfully hilarious reviews of the films themselves.

Part of the reason for a change in aesthetics in trailers is also due to a change in the films they are advertising. Most noticeably is the change in colour palette, especially with science fiction films, which has become de-saturated in recent years. The realistic, bright or sometimes neon colours of the 1980’s have become grey and bland in no small part, I believe, thanks to the popularity of 2008s The Dark Knight, which in turn makes the trailers for these films devoid of colour. This is an aspect that I’m not particularly fond of, because I think it brings a sense of uniformity to the entire science fiction genre, and I dread to think what would happen if it was allowed to affect the entire film industry. Frankly, I think that this dark, gritty tone in an attempt to make your film more adult and “serious” is ridiculous, despite the fact that I have enjoyed many of these films. It isn’t a genre specific issue either, because I think that Hollywood is taking itself too seriously and is being taken too seriously by everyone. I think that everybody needs to take a step back and remind themselves why we have a film industry in the first place, which is primarily to entertain. I think that is the real difference between the trailers for Dune84 and Dune20 – one of them was more entertaining to watch than the other. Trailers aren’t worse, they have simply changed, and I’m sure that in due time they will change again. It’s up to the audience to decide if they will watch or not when that time comes.

Until Next Time…

Signed: Your friendly neighbourhood queer